In 1816 Viscount
Fitzwilliam bequeathed his art collection to Cambridge University
in order to "promote the increase of leaning".
Today the Fitzwilliam Museum in Cambridge has just officially
open its doors again after a 12 million pound overhaul and
extension, which will ensure that it can live up to this
motto. On the 1st July, the museum showed to the public how
it had re-designed itself to cope with the swelling number
of visitors per year coming from across the globe. The museum
has gained over 3000 sq metres of extra display space over
four floors, enabling it to bring more of the half a million
objects it owns onto permanent display and give it a chance
to host more temporary exhibitions.
The Antiquities department has got its fair share of this
expansion. Though this stage of the project does not affect
its viewing spaces, the department has gained new offices
and, more importantly, a student and seminar room. Dr Lucilla
Burn, the curator of the department, believes this is will
allow more "hands-on" study sessions with the objects
themselves and more interactive outreach seminar work, such
as their "Introduction to Ancient Egypt" seminar
series planned for the autumn. The improved storage facilities
will also offer better access for scholars coming to the
Fitzwilliam from across the world to study its collection.
All this though will pail into comparison with the department's
plans for the Egyptian galleries, which roll into action
this autumn. Just this week, they have got confirmation of
a grant of half a million pounds from the Heritage Lottery
Fund, which completes the total of £1.25 million needed
to re-vitalise the Egyptian galleries with a whole new layout.
To honour this new development, the department will also
be hosting an exhibition this autumn on Roman Egyptomania.
At the same time, the department is in negotiation with
the Getty trust to fund two full time conservators and are
about to employ a new staff member (again funded by the Heritage
Lottery Fund) who will cross the boundary between academic
and educational outreach work. These three new positions
will, amazingly, double the existing staff in the Antiquities
department. It is almost unbelievable that a collection with
such a world wide reputation is cared for, promoted, displayed
and researched by only three dedicated staff members. It
is a department that most certainly punches about its collective
staff weight. Lucilla Burn believes this is a problem
facing many UK regional museums, but particularly those attached
to a university such as the ones in Cambridge, Oxford and
Manchester, which have to fight against the perception that
they have a cosy university income to cover running costs.
Indeed, in her view, the future for museums, like the Fitzwilliam,
depends on more of these public/private funding partnerships,
such as that instigated in the latest round of re-developments
completed for 1st July. It is not for nothing that the Fitzwilliam
has been keen to underline its public outreach agenda and
not for nothing that much of the new development has been
about creating new Arts study rooms, IT resources and education
spaces for the public and particularly for schools. If the
public/private partnership is to work, the museum has to
be seen to act for the benefit of the public and not just
the university - a fact also recognised by the Ashmoleum
museum in Oxford and its new Antiquities curator Susan Walker,
who apparently also has re-development plans in the pipeline.
Dr Burn is confident though that this challenge is something
the Fitzwilliam, and particularly the Antiquities department,
will continue to meet. Over the next ten years, she hopes
to see the re-designing of the Egyptian gallery pave the
way for a re-design of the Greek and Roman galleries. Her
vision is for a thematic cross-culture display aided by the
latest in interactive computer technology such as the PDA
system now being developed for visitors. In preparation for
such an expansion, the department is already planning a large
exhibition for 2007 on the Ancient Theatre to coincide with
the Triennial Greek Play in Cambridge. It is clear that the
next ten years will see major changes in the Antiquities
department at the Fitzwilliam, of which this month's re-opening
is only the beginning. Indeed, with visitor figures at now
over a quarter of a million a year and growing, they definitely
seem to be doing something right!
Michael Scott
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